Whitesnake
About
Paiste Artist Since
February 2003
Nationality
United States
Main Affiliation
Whitesnake
Other Affiliations
Ozzy Osbourne
Gary Moore
Pat Travers Band
Setup
Cymbals listed from left to right
17" 2002 Crash
19" Signature Reflector Heavy Full Crash
20" 2002 Medium
13" 2002 Sound Edge Hi-Hat
14" Signature Reflector Heavy Full Hi-Hat
18" PST X Swiss Medium Crash
20" RUDE Thin Crash
12" 2002 Splash
20" Signature Reflector Heavy Full Crash
18" PST X Swiss Medium Crash
15" Signature Fast Crash
22" Signature Blue Bell Ride "Rhythmatist"
19" Signature Reflector Heavy Full Crash
19" RUDE Thin Crash
20" 2002 Wild Crash
Videos & Pics
Biography
With his hard-hitting style, flair, and showmanship, Tommy Aldridge continues to be a major influence in hard rock and heavy metal drumming. Tommy taught himself to play the drums. He didn't have the benefit of affording a private teacher, and he wasn't attracted to the high school drum corps. He grew up listening to albums by Cream, the Beatles, and Jimi Hendrix, however, and he mimmicked his heroes on those albums. He started playing double bass early on, in order to get a sound that he had in his head. He started out playing in clubs and at frat parties, but got his break into the majors when he was asked to join Black Oak Arkansas, an up and coming southern rock outfit. However, when he made the decision to leave the band, he experienced complications. After about a year, he was able to forge ahead, and he began working with Pat Travers. He worked with him for a few years, did a few tours, and put out a few records, until he left for England. He wanted to try living and working in England, and he began working with Gary Moore. They put out a couple of albums, and met Ozzy Osbourne and Randy Rhoads during this time. Tommy and Randy became good friends, and eventually got the chance to work together with Ozzy Osbourne's band. He was the drummer on the phenomenal Diary of a Madman tour, and describes working with Randy "highlight of my career." He stayed on with Ozzy's band as Jake E. Lee joined on lead guitar, and they put out Bark at the Moon, but Tommy was ready for a change. About this time, Tommy began corresponding with Rudy Sarzo, who had just finished his successful stint with Quiet Riot, and they began kicking around and trying to make something happen. They hired Tony MacAlpine and did a couple of albums, but it ended up not being a permanent band situation. Tommy began hanging around with John Sykes, who was in touch with David Coverdale. John and David were looking for a solid rhythm section to support their hard-driving sound, and eventually, Rudy and Tommy joined Whitesnake.
Setup Cymbals
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Details
Sizes: 22"
Volume: Medium
Weight: Heavy
Sound character: Dry, slightly dark, raw, melodic. Fairly narrow range, fairly clean mix. Heavy yet controllable feel. A clear, glassy ping over a dry and slightly dark, harmonic layer of wash. Very distinctive, tight and deep bell. Well suited for all types of musical styles that require clear stick work and a strong bell. Developed in co-operation with the legendary "The Police" drummer Stewart Copeland.
- Sounds
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Details
Sizes: 18", 19", 20"
Volume: Medium
Weight: Heavy
Sound character: Bright, explosive, full, sparkling, warm. Wide frequency range, fairly clean mix. Even, giving feel with a powerful attack, sharp response and a nice sparkling fade. A strong, full, durable and cutting crash with radiant sound.
- Sounds
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Details
Sizes: 16", 17", 18", 19", 20"
Volume: Medium
Weight: Light
Sound character: Full, dark, energetic with a brilliant broad sparkle underneath the overall cutting character. Very flexible with a wide range and a fairly complex mix. Responsive, explosive, shattering attack. Breathy layers of sound with that distinctive RUDE attitude.
- Sounds
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Details
Sizes: 18", 20"
Volume: Loud
Weight: Medium
Sound character: Hissing, roaring, metallic, shimmering. Narrow range, fairly complex mix. Very responsive, balanced feel, especially controllable while crash/riding. A strong, piercing, crash paired with a growling decay. Very sturdy crash cymbal for louder musical applications in aggressive drumming styles.
- Sounds
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Details
Sizes: 14"
Volume: Medium
Weight: Heavy
Sound character: Fairly dirty, full, cutting, rich. Fairly wide range, complex mix. Very responsive feel. Full, barking and piercing, yet somewhat cushy open sound. Tight and rough chick sound. A very balanced hi-hat with a healthy dose of dirt and a note of darkness, featuring enhanced power for players that require a consistently strong pair of hi-hats.
- Sounds
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Details
Sizes: 13", 14", 15", 17"
Volume: Medium
Weight: Medium
Sound character: Medium bright, full, warm, brilliant. Wide range, fairly complex mix. Fast, responsive feel. Full, bright, energetic open sound. Sharp, full chick sound. The original, once patented, wavy bottom hi-hat design. The 17" version adds extraordinary boost, low end and crisp projection.
- Sounds